Arcadia
This new body of work Arcadia follows the trajectory set in previous work. It still concerns it self with semi-abstration and spatial distortion, but instead of being primarily based around casting and mold making, Arcadia is using the crystal as its primary motif.

Whilst looking at macro photographs of various crystal structures, I was reminded of how these structures resembled archetypal moments in modernism. One particular image of salt crystals, strongly reminded me of the architectural drawings and models produced by the collaborations between Cornelis van Eesteren and Theo van Doesburg during the De Stijl. Likewise, designs by Piet Zwart and Piet Mondrian also came to mind.

For me, there is an essential link between the faceted structures created by crystalisation and the aesthetics of De Stijl and modernism. With its belief that social good could be constructed via fine art and architecture, modernists set about creating their own version of utopian space. I therefore like to think that the crystal facet becomes the signifier for a utopian existence. And since I know that utopia is an unrealistic ideal that is yet to be reached, I hope the crystal helps me explore it's closely related pastoral cousin, Arcadia.

Lets see where this journey takes us.
Succulent_Tongue.jpg
Succulent.jpg
Secretion_Machine.jpg
Rooted.jpg
Crystal_Bush.jpg
Glass_Rocks#1.jpg
Green_Gold.jpg
Colonised.jpg
Pink_Blue_Hills.jpg
Arcadian_Floral_Emblem.jpg
Pictograph.jpg
Devolution.jpg
Glass_Rocks#2.jpg
Glass_Rocks#3.jpg
Terraform3.jpg
Snared_By_Floyd.jpg
Pestilence.jpg
Unfinished_Tag.jpg
Arcadian_Ruins.jpg
Moons_Mountains.jpg
Terraform1.jpg
Natural_Selection.jpg
In_The_Distance.jpg
Crystal_Horizon_SelfRef2a.jpg
Crystal_Horizon_L.jpg
Crystal_Horizon_R.jpg
Terraform2.jpg
Ill_Winds_Howl.jpg