| Education | ||
| 1998-99 | Advanced Diploma, Electronic Design and Interactive Multimedia, RMIT, Melbourne. | |
| 1995-96 | Post Graduate Diploma, Fine Art, Victorian College of the Arts, Melbourne. | |
| 1988-90 | Bachelor of Arts, Photography, Queensland College of Art, Brisbane. | |
| Individual Exhibitions | ||
| 2002 | SWIRL random acts of the kinetic, Canberra Contemporary Art Space, Canberra. | |
| 1997 | Not Suitable for Roach, Talk Artists Initiative, Melbourne. | |
| 1992 | Offal, Space Plenitude, Brisbane. | |
| 1990 | Sometimes it's hard to get out of bed, Queensland College of Art Gallery, Brisbane. | |
| Collaborations | ||
| 2002 | Transitional Play Unit, collaboration with Dr Warren Harmer, as part of Six Conjectural Modules, coordinated by Sandra Bridie, Tower Studio, Queens College, Melbourne University, Melbourne. | |
| 1999 | Magazine, collaboration with Michael Pogia, Talk Artists Initiative, Melbourne. | |
| Selected Group Exhibitions | ||
| 2008 | Botanica 08, Pigment Gallery, Melbourne. | |
| 2005 | We Are All Animals, Visual Arts Centre, Bendigo. | |
| 2002 | IQ, NewQ 2002, Counihan Gallery, Melbourne. | |
| 2001 | The No Know Space, for Midsumma Festival, poster project throughout Melbourne. | |
| 2000 | Travelsick Part 2, Liverpool Biennial of Contemporary Art, Hanover Galleries, Liverpool, UK. | |
| Sally's Paddock Art Prize, Patrizia Autore Gallery, Melbourne. | ||
| On the Beach, Talk Artists Initiative, Melbourne. | ||
| 1999 | Roadkill#1, Slide@200 Gertrude Street, Melbourne. | |
| 1998 | Anniversary, Talk Artists Initiative, Melbourne. | |
| Oscillate, Nextwave Festival, Stop 22, Melbourne. | ||
| 1997 | Introduction, Talk Artists Initiative, Melbourne. | |
| 1995 | Shuck, Southgate, Melbourne. | |
| 1994 | Eidetic Experiences, Noosa Regional Gallery, Noosa. Tour of regional Queensland 1994-95. | |
| Neophites III: After Taste, Gallery 101, Melbourne. | ||
| 1993 | Felix H. Man
Memorial Prize, National Gallery of Victoria, Melbourne.
Tour of regional Victoria 1993-94. |
|
| 1992 | Move Over, Space Plenitude, Brisbane. | |
| Who do you take me for?, Institute of Modern Art, Brisbane. National tour 1992-93 | ||
| 1991 | Suncorp Art Awards Finalistsí Exhibition, School of Arts Building, Brisbane. | |
| 1989 | In Full Sunlight, AGLASSOFWATER, Brisbane. | |
| Residencies | ||
| 2006 | Mirrored Holes-An Alternative Landscape of Bendigo, La Trobe Visual Arts Centre, Melbourne University, Melbourne. | |
| 2002 | Transitional Play Unit, as part of Six Conjectural Modules, Tower Studio, Queens College, Melbourne University, Melbourne. | |
| Commissions | ||
| 2005 | Brimbank Beat, interactive CD-ROM commissioned by the Brimbank City Council. | |
| 1993 | Knowledge and/or/of Experience, (cover image) edited by John Macarthur, published by the Institute of Modern Art, Brisbane. | |
| Collections | ||
| Memory Grid Collection, Australian Centre for the Moving Image (ACMI), Melbourne. | ||
| Latrobe Picture Collection, State Library of Victoria, Melbourne. | ||
| Bushells' Corporate Collection, Melbourne. | ||
| Private collections throughout Brisbane and Melbourne. | ||
| Bibliography | ||
| Coulter-Smith, G | "Eidetic Experiences"; catalogue essay, published by the Noosa Regional Gallery, Noosa. | |
| Neville, G | "Conditioned reflex, but students lively"; The Age, February 1994. | |
| Richards, M | "Paintings the way they ought to be"; The Courier Mail, August 19 1992, page 26. | |
| Smith, S | "Black humour in photos creates gothic drama"; The Courier Mail, October 19 1992, page 17. | |
| Turpie, S | "Discover a magical world of colour"; The Bendigo Weekly, October 27 2006, page 21. | |
| van Wyk, S | "Felix H. Man Memorial Prize"; catalogue essay, published by the National Gallery of Victoria, Melbourne. | |
| Williamson, C | "Who do you take me for?"; catalogue essay, published by the institute of Modern Art, Brisbane. | |
| Other | ||
| 2000: Project coordinator, The No Know Space, for Midsumma Festival 2001. This project stemmed from my interest in poster placement as a political/aesthetic act and its effect on the built environment. I was interested in the various strategies employed by local councils to contain and localise such offending material, and in doing so, questioning the posters ability to stay powerful and relevant in an authorised and sanctioned space. As coordinator of this project, I liaised with designers and photographers, sourced appropriate sponsorship and produced and prepared the posters for placement throughout the CBD. | ||
| 1996-2000: Alongside my visual arts practice, I was also a founding member and active participant in an independent, selffunding artist run initiative. At its closure, Talk Artists Initiative was 3.5 years old and was located in the historic Nicholas Building in the Melbourne CBD. Talk hosted new exhibitions by emerging and mid-career artists. Talk actively participated in cultural exchanges with international artists in an attempt to stay informed about contemporary art practise from diverse geographical locations. This project was initiated by a group of my peers and I after completing our post graduate studies at the Victorian College of the Arts. | ||





